joel conison, photography

Birds in Portrait


White Ibis
bBarn Owl
Barn Owl
Balbous Duck
Balbous Duck
Tundra Swan
Tundra Swan

Osprey
Osprey
Great Horned Owl
Great Horned Owl
Little Blue Herron
Little Blue Herron
Canadian Goose
Canadian Goose

raven
Raven
Black-neck Stilt
Black-neck Stilt
Western Turkey
Western Turkey
Partridge
Partridge

Campbell Albatross
Campbell Albatross
Red-legged Seriema
Red-legged Seriema
Rough Grouse
Rough Grouse
silver gull
Silver Gull

Gosh Hawk
Gosh Hawk
Black-neck Heron
Black-neck Heron
Purple Heron
Purple Heron
Hooded Merganser
Hooded Merganser

Fulvous Whistling Duck
Fulvous Whistling Duck
Lesser Yellowhead Vulture
Lesser Yellowhead Vulture
Yellow Hornbill
Yellow Hornbill
White-face Scops Owl
White-face Scops Owl

King Vulture
King Vulture
Darter
Darter
Crown Crane
Crown Crane
Buzzard
Buzzard

Black Vulture
Black Vulture
Bald Eagle
Bald Eagle
Glossy Ibis
Glossy Ibis
Western Grebe
Western Grebe

cCrested Caracaras
Crested Caracaras
lLong-billed Curlew
Long-billed Curlew
Red Winged Albino Hawk
Red Winged Albino Hawk
American White Ibis
American White Ibis


This group of photographs captures the natural beauty of birds in an unnatural environment.

All of these birds are taxidermy specimens. On one hand the taxidermy creatures allowed me to work with, to approach, to handle them in a way that living creatures would not have tolerated. On the other, the process of taxidermy, by definition, had removed the very essence of their fleeting existence. Without a doubt they had become objects and yet there remained something elusive. I realized that as a photographer I couldn't treat them as I would have treated wild birds in nature. Indeed I didn't want to treat them as birds at all but rather in terms of a statement on the human interaction with nature -- first in terms of my own interaction with these object/animals and second as a more encompassing commentary.

I choose to create portraits of these creatures not as a type of anthropomorphism but in keeping with Aristotle's statement that, "the aim of art is to present not the outward appearance of things, but their inner significance; for this, not the external manner and detail, constitutes true reality." I have photographed them in portraiture, in a way similar to how I would have photographed a human candidate. Their gaze meets the viewer's directly and without hesitancy; they are as nature has created and also as mankind has altered. As humans expand their presence on earth it remains incumbent that we preserve a place for animals. It is our responsibility as "care taker" to provide such a space and place.

These images were captures digitally and the darkroom work was done in Photoshop. All prints were made with an archival pigment ink set consisting of six shades of gray and black, printed on Hahnemuhle paper.

To inquire about acquiring any of these prints.